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Posts related to: Culture + Museums

Peopling of America Center opens at Ellis Island

By Samantha Hoover
Culture + Museums
American Flag of Faces, 2011

American Flag of Faces, 2011

It’s always thrilling to see Lady Liberty up close, even for this jaded New Yorker. I must admit it’s rare that I get the chance, but I did at the Statue of Liberty’s 125th birthday celebration on October 28th. The event—which included marching bands, politicians, celebrities, and, of course, fireworks—also commemorated the opening of the Peopling of America Center at Ellis Island, which was designed by ESI and marks an important milestone in our long-term collaboration with the Statue of Liberty-Ellis Island Foundation.

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Top 10 Takeaways from the 2010 World Expo in Shanghai

visitors in the Shanghai Corporate Pavilion at the Shanghai Expo 2010

Visitors in "Green Shanghai" at the Shanghai Corporate Pavilion, strolling, taking pictures and making the fiber optic reeds change color.

For the last few years I have had the opportunity to participate in the design of the Shanghai Corporate Pavilion for the 2010 World Expo. Along with our team of partners, I witnessed the transformation of the Pavilion's site from an empty lot, to a busy construction zone, to the stunning cube of light that it is today. It has been incredibly rewarding to see it completed, and to watch thousands of visitors carrying our design forward as a participatory experience.  

I have also had the opportunity to visit more than 20 other pavilions at the Expo. Some are amazing experiences and others are, well, not as engaging. From my perspectives as both a designer and a visiting tourist, the most successful pavilion experiences had many of the same characteristics of design excellence. Here are my top ten:

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Making History Honest

Clay Gish
By Clay Gish
Culture + Museums

“History is propaganda. Teaching is propaganda.” I once began an American History class with those statements. A room full of flustered undergraduates stared back at me in disbelief. Was I uttering sacrilege? As historians are all too aware, history is interpretation — interpretation often based on fragmentary evidence. Historians piece together those fragments as best they can to tell a story, but their interpretations of the past can be tinged by their own experiences, viewpoints, and social agenda. Yet history educators — whether in a classroom or in a museum — rarely let the public in on this. Too often, they present history as if it is the gospel truth handed down on stone tablets. I went on to tell my students that it was their responsibility to arm themselves with the best available information so they could cut through the crap and form well-reasoned interpretations of their own.

At the upcoming AAM conference (May 23-26), I’ll be taking part in a panel called “Breathing New Life into History.” While we’ll discuss how history museums can become more interactive and more engaging for visitors, I also intend to throw out there how museums can become more honest. 

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