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Posts related to: Design

Q&A with Designer Michael Luck Schneider

Michelle Mullineaux
By Michelle Mullineaux
Collaborative Design, Design, Digital Signage, News, Awards, Events

The culmination of the Dreamcube journey was a theatre in the round in which audience actions changed the exterior look of the cube.

This article was originally published in Metropolis Magazine, Q&A with Michael Luck Schneider

At the upcoming Digital Signage Expo (February 26-28) in Las Vegas, there will be a lot of talk about integrating electronic media into the designed environment. On the 26th, at a full-day session called “New Design Directions: Dynamic Digital Environments,” Michael Luck Schneider, senior designer at ESI in New York will discuss, in some detail, the collaborative effort it took to create the Dream Cube in Shanghai. I asked him about how his global team worked together as they communicated between Cologne to Sydney to Beijing and points between; and the ways and means of systems design. In my previous interviews on the topic of media-rich environments, panelist Paul R. Levy, president and CEO of Philadelphia’s Center City, talked about the use of digital media in the large-scale urban environment; Jeff Kovel, AIA, principal at Skylab Architecture in Portland, Oregon, discussed his firm’s experience in building Camp Victory for Nike. Here we dig down into ESI’s interactive spectacular, designed, as Schneider says, to “demonstrate the power of collaboration in shaping a more sustainable future.”

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Q&A with Robin Lewis and our Founder

Michelle Mullineaux
By Michelle Mullineaux
Collaborative Design, Design, News, Awards, Events

Ed Schlossberg founded ESI in 1977

This article was originally published in the Robin Report, Robin Lewis interviews Ed Schlossberg

Robin Lewis: What in the world was Best Buy thinking when they discontinued their Studio D and Escape small store concepts several years ago? You designed these neighborhood boutiques to customize these stores for specific niche demographics and lifestyles. What’s the backstory on this?

Ed Schlossberg: I had this idea in 1998 to do something called a Digital Playground. I thought if these technology companies were going to be successful, they needed to let people play using digital stuff so that they could see what would work. So I made a presentation to Brad Anderson who was CEO of Best Buy, and he said, ‘This is fantastic, we would love to do this.’ He hired us to design the first Digital Playground. It took some time to get it going. When Brad hired James Damien as their visual merchant, he was really excited about it, and we kind of became his team.
RL: What was the design strategy?

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Takeaways from "Act Locally/Think Globally" Symposium

Ericka Hedgecock
By Ericka Hedgecock
Design

If there is one key takeaway from this year's Society for Environmental Graphic Design Exhibition and Experience Design Symposium it was this:

Work your networks.

Starting or expanding your business abroad is a complex, if not daunting, endeavor. Developing a network of international partners, fabricators, vendors, and resources requires trust and faith –  trust in the value of your ability and services, and faith that you can work together to produce your vision to exceed the expectations established between you and your client. How and where to start?

Held annually since 2004 at the extraordinary Cranbrook Academy of Art, the 2011 Symposium topic was "Act Locally/ Think Globally". SEGD is a global community of people working at the intersection of communication design and the built environment. In addition to a robust conference and workshop schedule, SEGD provides advanced learning and leadership to a community of 1,600 members. This year's symposium brought valuable insight into the challenges and opportunities of establishing yourself in the international marketplace. Below are highlights from our discussions:

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TEDxBrooklyn: One Moves Many

By Ariel Newland
Design

TED launched TEDx as a platform for people around the globe “to give communities, organizations and individuals the opportunity to stimulate dialogue through TED-like experiences at the local level.” With events from Kibera to Amsterdam, TEDx came to Brooklyn for the first time over the weekend. The event centered on the idea of “one moves many” or the making of a movement.

As the New Yorker magazine put it "naturally, Brooklyn, a hotbed of freethinkers, is having its own [TEDx] get-together.” So what is it about Brooklyn these days? It’s New York City’s most populous borough with roughly 2.5 million inhabitants. The affordability, amenities, community and beauty have attracted a strong creative class—from artists and designers to writers and inventors—to live and work in the borough. At ESI, nearly half of our staff lives in Brooklyn!

Here are some of the highlights of impressive Brooklynites from TEDxBrooklyn:

Swoon

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The “Why Design Now?” Conference: Solving Complex Problems Through Design

By Ariel Newland
Design
A view of the stage at the “Why Design Now? Solving Global Challenges” Confence.

The “Why Design Now? Solving Global Challenges” Conference sponsored by the Cooper-Hewitt National Design Museum and GE brought together some of the world’s leaders in design to talk about how design can help solve complex problems. Some major themes emerged throughout the day that touch on many of the aspects of contemporary design practice:

1.    We work collaboratively in teams.

Most of the projects shared at “Why Design Now?” came to life through a team-based approach. There was very little “I” or “me” but a lot of “we” talk throughout the day. As designers, we are finding we cannot solve these complex problems alone; we need a team. Best said by our principal designer here at ESI Design, Ed Schlossberg, “We must work in teams to do the work we do. No one is smart enough to do it alone.”

2.    We co-create with our clients.

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Dreams of Shanghai, Dreams of Governor’s Island

By Debra Everett-Lane
Design

Living Pavilion, winner of the City of Dreams Pavilion Competition 2010

Everyone seems to be dreaming these days . . .

When ESI first took on the project to design a pavilion for Expo 2010 Shanghai, we thought long and hard about the Expo’s theme: “Better Cities, Better Lives.” And we realized that dreaming is at the heart of innovation, creation, invention, empowerment, and improvement — dreams lead us to see things from a different perspective and to think outside the box. So dreams became the main metaphor for our pavilion, the Dream Cube, a place where visitors discover that by working together they can make their dreams for the future of Shanghai come true.

Well, if dreams can inspire people in Shanghai, then why not New Yorkers? This is just what FIGMENT NYC is trying to do, with a festival this weekend (June 11-13) on Governor’s Island, as well as interactive art installations that will be on display there throughout the summer. FIGMENT is art at its most open, participatory, and collaborative, inviting people far and wide to create, share, explore, and imagine. Its founder, David Koren, is a firm believer in the power of participatory, collaborative art, especially when it is made even more magical by being ephemeral and of the moment.

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Top 10 Takeaways from the 2010 World Expo in Shanghai

visitors in the Shanghai Corporate Pavilion at the Shanghai Expo 2010

Visitors in "Green Shanghai" at the Shanghai Corporate Pavilion, strolling, taking pictures and making the fiber optic reeds change color.

For the last few years I have had the opportunity to participate in the design of the Shanghai Corporate Pavilion for the 2010 World Expo. Along with our team of partners, I witnessed the transformation of the Pavilion's site from an empty lot, to a busy construction zone, to the stunning cube of light that it is today. It has been incredibly rewarding to see it completed, and to watch thousands of visitors carrying our design forward as a participatory experience.  

I have also had the opportunity to visit more than 20 other pavilions at the Expo. Some are amazing experiences and others are, well, not as engaging. From my perspectives as both a designer and a visiting tourist, the most successful pavilion experiences had many of the same characteristics of design excellence. Here are my top ten:

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The Writing Zone

By Dan Hedges
Design, User Experience

The media content you create for visitors to read, watch, or listen to can add up to an experience that’s either A) totally engrossing, or B) propels people straight toward the gift shop. During the weeks ahead, I’ll share my collection of basic (and hard-learned) pointers on writing for general audiences.  As a preview, here are four to keep in mind.

1.    Treat your visitors as if it’s Saturday — If your touch screen content and exhibit labels read like a textbook — or your audio and video content sounds like a lecture — you’ve already lost half of your audience. When writing for your visitors, treat it like a conversation, not a lesson plan.

2.    Lose the PowerPoint speak — It typically looks something like this: "Given the synergistic limitations on current storage management technology imposed by a heterogeneous archive infrastructure. . . .”  You get the idea. It’s the opposite of clear communication.  Don’t let it escape from your keyboard.

3.    Give your writing a personality — Modern life already bombards us with far too much bland, generic writing.  Show a little mercy.  Use a distinctive tone and voice that lets visitors know a living human being — not an android committee — created everything they’re reading, watching, and hearing.

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Growing a Community

Kris Haberman
By Kris Haberman
Design, User Experience

ESI Design created the brand identity and website for the new Naples Botanical Garden

The Naples Botanical Garden in Naples, Florida was a small garden before they started their expansion in 2008. They closed for two years and hired several well-known landscape architects to design a world-class botanical garden filled with subtropical plant treasures. The Garden also wanted to reinvent its mission, so ESI was invited to design a new online environment, graphics within the physical environment, and the branding — the invitation and identity of the Garden itself. 

From the start, we supported the Garden Committee’s efforts to build a community with local organizations and schools before the reopening. Many Garden supporters are “snowbirds” who winter in Naples, then return north. ESI created a website to reach that audience when they’re not in Naples.  People can see what’s blooming in the garden, read blogs written by Garden curators/staff, and leave their own mark by uploading photos of their own home gardens and of the Naples Botanical Garden itself.

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